This section discusses the fonts and character sets relevant to Oracle Reports:
The character set component of the NLS environment variables specifies the character set in which data is represented in your environment. When data is transferred from a system using one character set to a system using another character set, it is processed and displayed correctly on the second system, even though some characters might be represented by different binary values in the character sets.
If you are designing a multilingual application, or even a single-language application that runs with multiple character sets, you must determine the character set most widely used at runtime and then generate with the NLS environment variable (NLS_LANG) set to that particular character set.
If you design and generate an application in one character set and run it in another character set, performance can suffer. Furthermore, if the runtime character set does not contain all the characters in the generate character set, then question marks appear in place of the unrecognized characters. Portable Document Format (PDF) supports multibyte character sets. There might be situations where you create an application with a specific font but find that a different font is being used when you run that application. You would most likely encounter this when using an English font (such as MS Sans Serif or Arial) in environments other than Western European. This occurs because Oracle Reports checks to see if the character set associated with the font matches the character set specified by the language environment variable (NLS_LANG). If the two do not match, Oracle Reports automatically substitutes the font with another font whose associated character set matches the character set specified by the language environment variable. This automatic substitution assures that the data being returned from the database gets displayed correctly in the application. Note: If you enter local characters using an English font, then Windows does an implicit association with another font. There might be cases, however, where you do not want this substitution to take place. You can avoid this substitution by mapping all desired fonts to the
WE8ISO8859P1 character set in the font alias file (
Unicode is a global character set that allows multilingual text to be displayed in a single application. This enables multinational corporations to develop a single multilingual application and deploy it worldwide. For information about using Unicode in your multilingual applications, refer to Section 23.5, "Unicode".
PostScript font formats Adobe Type 1 fonts are stored in two common formats:
.pfa (PostScript Font ASCII) and
.pfb (PostScript Font Binary). These contain descriptions of the character shapes, with each character being generated by a small program that calls on other small programs to compute common parts of the characters in the font. In both cases, the character descriptions are encrypted. Before such a font can be used, it must be rendered into dots in a bitmap, either by the PostScript interpreter, or by a specialized rendering engine, such as Adobe Type Manager, which is used to generate low-resolution screen fonts on Apple Macintosh and on Microsoft Windows systems.
The Type 1 binary files (
.pfb) contain character information, while the metric files (
.afm (Adobe Font Metric) and
.pfm (Printer Font Metric)) contain the metric information to form the character. These metrics files are ASCII files with a well-defined easy-to-parse structure.
The personal computer brought about a need for scalable font technology, thought to be an important part of any future operating system. TrueType is this scalable font technology that enables you to view the same output without the jagged aliasing caused by scaling that is apparent when bitmapped fonts are used.
This technology involves two parts:
The Rasterizer is an application that is included in both Windows and Macintosh operating systems. It acts as an interpreter and translates the font information into a form that the video display can render.
The TrueType fonts themselves contain information that describes the outline of each character in the typeface. Higher quality fonts also contain hinting codes. Hinting is a process that makes a font that has been scaled down to a small size look its best. Instead of simply relying on the vector outline, the hinting codes ensure that the characters line up well with the pixels so that the font looks as smooth and legible as possible.
Adobe wanted both Apple and Microsoft to license its PostScript code, which was capable of handling this role, but both companies were concerned about having a third party control key parts of their operating systems. Apple and Microsoft agreed to a cross-licensing and product development deal, with Microsoft creating a PostScript-style graphics engine and Apple creating a font system. Apple developed what was to become TrueType, which proved superior to other competing technologies on performance and rendering quality. Apple and Microsoft announced their strategic alliance against Adobe, where Apple would do the font system, Microsoft the printing engine. Apple released TrueType in March 1991 and the first TrueType fonts:
Microsoft introduced TrueType into Windows with version 3.1 in early 1992. They created a core set of fonts:
Times New Roman
Both Apple's and Microsoft's TrueType fonts showed that scalable fonts could generate bitmaps virtually as though each size had been designed by hand.
A TrueType Collection (TTC) is an efficient way of sharing common font data, such as character information and glyphs. This data sharing results in an optimized file size as the common glyphs are stored in a single file structure, instead of within each font. The end result is a single file that is a combination of two or more fonts. For example, certain Japanese fonts in a font family may share a common set of kanji characters. They can be included in a TTC file.
For example, the TTC file,
msgothic.ttc, is a collection file consisting of three fonts. They are MS Gothic, MS PGothic, and MS UI Gothic.
Barcode fonts can be quite confusing. Some industries have chosen a specific barcode type. If this is what you need, then using the appropriate barcode font should work. For example, if you are interested in putting barcode on retail packages or books, the choice of a barcode is simple. Retail packages in North America use the UPC-A bar code. European retail articles use the EAN barcode .
All book ISBN numbers use the Bookland barcode (an EAN 13 bar code with a 5 digit supplement). Fonts are one way to obtain barcode, but not the only way. Oracle Reports offers another solution for producing barcodes using a Java barcode bean. The Java barcode bean is capable of creating barcodes based on the most popular barcode types.
Character IDentifier (CID) fonts are a format of composite (multibyte) Type1 fonts used to better address the requirements of Far East markets. Adobe developed the CID-keyed font file format to support large character set fonts for use with PostScript. It is the ideal format for Chinese, Japanese, or Korean fonts and can also be used for roman fonts with very large character sets. CID-keyed refers to the character identifier (CID) numbers used to index and access the characters in the font. A CID (character identifier) font consists of a large font file containing all the character outlines and a small CMap file that contains a list of characters, encodings, and character identifiers. The combination of the font file and the CMap file yields a font that is a specific character set and encoding information. Each CID font can support many character set and encoding combinations.